Supervising colorist Keith Roush of Roush Media is a film industry veteran with personal vision. He started his business in 2003 in Burbank, California — when digital color grading systems didn’t ...

The annual awards ceremony, which was chaired this year by Oscar-nominated cinematographer Mandy Walker, aims to "reflect the cultural, visual and technical values of the international color grading ...

If you’re shooting with 35mm film in this digital age, you likely have a specific artistic application for the medium. To match your vision, it’s important to pick the right kind of film. Shopping for ...

Take a look inside Harman’s secret skunk works project that brought Phoenix color film to life at the Ilford film factory ...

Great filmmaking delves beyond the elements on screen to consider both what we see and how we process visual narratives. This is particularly true of the use of color in film, which can be ...

With a speed of ISO 800, Cinema promises saturated colors and moderate grain. Dubble says that a halo effect will be visible around red light, and when shot during the day, Cinema delivers bluish ...

The Taipei-based post house, behind recent festival standouts from Jia Zhangke and Guan Hu, adds acclaimed grader Yov Moor as it expands its global footprint. By Patrick Brzeski Asia Bureau Chief ...

Colors evoke specific feelings; therefore, they are used to elicit particular effects on the surface they appear on or in the minds of observers contemplating them. In architecture, color plays a ...

Inside the color systems of ‘Sinners,’ ‘Frankenstein’ and ‘Hamnet’—three Oscar-nominated films where palette and set design do as much work as the script. Jacobi Jupe stars as Hamnet, Bodhi Rae ...